Autumn Model Photo Shoot Workshop

October 23rd, 2011

Last Saturday at the MacKenzie King estate in Gatineau Park we held the 4th Model Photo Shoot Workshop that I conducted in Ottawa this year. They just keep getting better – already I am looking forward to next year’s shoots!

On this shoot we had 4 models (who braved the cold weather) and 9 photographers (who also braved the cold weather) some who came in from Montreal and Toronto for the shoot.

During the winter months I will conducting studio photo shoots and Photoshop retouching workshops. If you are interested or want to be added to the mailing list send me an email.

Canon 5D MKII - SIGMA APO 70-200mm F2.8 EX DG

 

Canon 5D MKII - SIGMA APO 70-200mm F2.8 EX DG

 

Ottawa Model Workshop

 

SIGMA Pro Photographer

October 14th, 2011

I am really happy to announce that I have been selected as a Sigma Pro Photographer. This gives me access to their lenses (which I am really looking forward to using) and in return, I will give them some of the images that I create using those lenses. I may also be conducting several seminars and presentations for them as well.

In future posts I will be commenting and also reviewing each of the lenses that I will be using and giving you my honest opinion about them. BTW – This is something that I didn’t have to ask Sigma for, they made it quite clear that’s what they wanted as well. I was impressed by that!  Now, I am not a pixel peeping photographer (not that there is anything wrong about being a photo gear geek), so my reviews won’t be technical analysis  about the lens’ sweet spot or centre to edge sharpness, or what focal lengths are sharper. While I do like some things in life that are soft and fuzzy, camera lenses aren’t one of them. After 30 years as a professional photographer and photography instructor I can quickly judge the optical quality of a lens without having to do side by side comparative tests.

Over the years I have used both Nikon lenses/cameras and more recently (the past 7 years – when I switched to shooting digital) to Canon lenses/cameras. Based on my experiences with that equipment I am interested to see how the Sigma lenses stack up and will compare in optics, construction, handling and price.

 

Earlier this week I had a photo shoot using a Sigma 70-200 F2.8 EX lens and let me tell you I am loving what is doing to the backgrounds with amazing bokeh. I don’t know the technical reason why, but it is better than what my Canon 70-200 F2.8 produces. It might have something to do with the shape and number of lens diaphragm  blades and also it has a closer minimum focusing distance.

These are a few of the images from that shoot. I have already posted them on my Facebook page and several people commented about the backgrounds.

SIGMA APO 70-200mm F2.8 EX DG

SIGMA APO 70-200mm F2.8 EX DG

 

SIGMA APO 70-200mm F2.8 EX DG

SIGMA APO 70-200mm F2.8 EX DG

 

 

SIGMA APO 70-200mm F2.8 EX DG

SIGMA APO 70-200mm F2.8 EX DG

Camera Bags

October 13th, 2011
Doorway - Mykonos, Greece

Doorway - Mykonos, Greece

 

In my blog post the other day, I mentioned that tripods and camera bags were the two photo accessories that I have purchased most often over the years. I don’t even want to think about the number of camera bags that I have bought, there have been a lot of them. I even have a Rolling CompuTrekker Plus AW that I paid over $300. for a couple of years ago and I haven’t used it once (if you are interested in it, I’ll give you a really GOOD deal).

A couple of weeks ago I was contacted to see if I was interested in testing out a couple of bags from Tamrac. Well what an opporunity for a camera bag aficionado, how could I say no. I was given my choice of bags, I picked two different styles, a backpack and a shoulder bag. Currently I am using both of these bags and will write a review for each one of them in a future post.

Photo Impressionist Techniques

October 12th, 2011

This past weekend we had incredible weather for the Photo Impressionist Techniques Workshop. And an incredible group of photographers, who created, and I really mean created, some pretty stunning imagery!!! Here are a few of my images.

Sunflowers

Sunflowers

 

Autumn Forest

Autumn Forest

 

 

Multiple Exposures

Multiple Exposures - with a Canon camera

Tripods and Camera Bags

October 11th, 2011
tripod Gatineau Park

Photo of my tripod, taken by workshop participant Janice Borland Benoit. I wasn't really trying to block her view!

Tripods and camera bags are probably the two photo accessories (necessities) that I have purchased most often over the years. On my most recent Fall Workshop, a couple of the participant’s were asking what would be a good tripod and head to buy and also that doesn’t cost a fortune.

Well I have gone down that road, trying to buy what I thought (at the time) was a good tripod and also trying to save some money. All I ended up doing was spending a lot of money on different tripods/heads that I wasn’t really happy with. And then finally, years after I had first started buying all of these different tripods, I ended up buying the more expensive tripod. The one that I should have bought in the first place. Does that sound familiar to anyone?

Now there are some reasonably affordable tripods out there, so I thought I would ask my Facebook friends if they had any advice. I got 35 responses, here are some of them:

1. Manfrotto 055 or 190 legs with 029 head–I’ve had three 055’s over the last 30 years & they stand up to heavy use/abuse

2. Carbon fiber, great ball head, be prepared to spend $400+

3. Induro makes some great heads and tripods, much less expensive than Manfrotto or Gitzo.

4. I have an Induro AX214 with a Really Right Stuff BH40 Ball Mount with their large quick release plate. Cameras have L Brackets and lens have standard brackets. Stable and not too heavy. The RRS mounts are not cheap and are precision. Could not justify the added cost for carbon when I bought the base may think different now.

5. I use a Induro series 2 carbon fiber tripod on workshops. Just as strong as Gitzo but half the cost. I’ll leave the head for the participants to decide. Other workshop participants seem to love the Induro. It fits in my medium dufflebag which is a big plus.

6. I recommend the Manfrotto 190XPROB.  It’s fairly light, and can take a beating.  Plus it’s not too expensive so it may be a financially more appealing option to workshop attendees.  I jerry-rigged a removeable strap using two carabiners  and a canvas belt I bought from Value village.   I have a matching Manfrotto Pan-Tilt Head 804RC2 and Ball Head 486RCS.  The ball head is light weight but is not as accurate to adjust as the pan-tilt.

7. I’ve been using a Feisol Traveler and ballhead for a few years now.  It’s very reasonably priced.  Good build quality.  The tripod is sturdy.  The ballhead handles a reasonably amount of weight.  They make heavier duty legs and heads as well.  http://www.feisol.net/index.php

8. Love Gitzo carbon fiber and Arca Swiss ball heads. Not cheap but they will last a lifetime. Much lighter to lug around. Bogen makes decent tripods as well. Lots of new ball heads on the market since I bought mine. Check out http://reallyrightstuff.com/Items.aspx?code=TRIPODS&key=cat

9. For tripod head I like my Slik AF-2100 Pistol Grip Head. Only $99  which is pretty cheap. My first one lasted at least 10 years (still works). I prefer it over my much more expensive arca ball head.

10. A very good value for money tripod can be found in the Vangaurd Alta Pro. They are well made and offer more functionality than some of their equivalent yet pricier counter parts – http://youtu.be/uJ7HHv3SOuo – their pistol grip head is also one of the best I have seen. Another Tripod I have been really impressed with is the Velbon Sherpa.

11.  Gitzo GT1830 – it’s a bit long, but I needed the height. Shorter legs are available but, for me, it’s lighter than my Aluminum Manfrotto 190 was, and gets me an extra foot without the centre column extended.  I am using an Acratech ballhead, which isn’t cheap, but I found my inexpensive manfrotto ballhead gave when I had heavier glass attached.  If your students can afford big glass then they should also heavily consider the investment in supporting it properly.

12. Yes, you have to pay to get something worth it, my current setup wasn’t my first and it cost more in the long run.

 

Any other suggestions??????

Pocket Wizard Plus II

October 4th, 2011
Ottawa Model Photo Shoot

Ottawa Model Photo Shoot Workshop

 

In my previous post I was talking about photographers and their obsession with equipment and I said – “ Ignore all of the talk about equipment and just get out and take pictures”. Well the truth is that we do need equipment, whether it’s an iPhone or the newest Nikon or Canon DSLR. So, in order to give equal “air-time”  my next couple of posts will be about equipment.

It’s been a couple months since I started using Pocket Wizard Plus II’s Radio Slaves in the studio (Dynalite Flashes) and on location (Lumedyne Flashes) and even with my Canon 580 EXII flash in manual mode. I am thrilled with them!!! The only downside is the cost, at $200 per unit and you need at least two of these, it’s not cheap. But if you want serious no fail gear, then Pocket wizards are for you. These things really work! I have yet had a pocket wizard fail on me.  What I really like about them, is when shooting on location I can set my lights near the subject and get shoot from far away. I also like that they use  AA size batteries (I’m a huge fan of AA batteries – you can get them anywhere in the world).

For years, I have been using manual exposure for the flashes and the camera settings.  I have never really considered using auto with flashes, guess I am really Old School, but I am starting to rethink that. Now that I have discovered Hypersync! Take a look at this.

We will be using the Pocket Wizard Plus II’s on the next Model Photo Shoot Workshop

Secret to taking better photos

October 3rd, 2011
Blue Domed Churches - Santorini, Greece

Blue Domed Churches - Santorini, Greece

 

If there is a secret to taking better photos – This is it!

For nearly 30 years I have earned my living by taking pictures while travelling the world. I have also taught many photography workshops at home and abroad. This has put me in contact with quite a few people and as a result I have had many phone calls and emails asking for my advice on a range of photographic topics. These topics range from where to go in Namibia,  to which camera, lens, tripod or accessory to buy, to how to become a professional photographer. I can understand why people ask me, whether you are a beginner or have been taking pictures for years, the sheer volume of photography information that we need to know and process is quite intimidating.

Now with the information overload from the internet we have access to everyone else’s opinions, thoughts and endless debates about camera equipment, lens resolution, sensor sizes, Photoshop, RAW converters – the list goes on. It is so easy to get lost in all of this information and forget the reason you are taking photographs in the first place. Personally, even though I work with it every day, I find it all very daunting. I can certainly understand how “amateur” photographers feel.

I have one piece of advice which will definitely help in taking and creating better pictures, but it is going to take a major commitment from you. Ignore all of the talk about equipment; it really doesn’t matter what you use to take pictures, the important part is for you  to get out there and shoot. Just keep on shooting, practice in different situations and lighting conditions, review the images then go out and shoot some more. The more you practice the better and stronger your images will be, you will eventually become more observant which in turn improves your photographic vision.

So what does it take to make a strong compelling picture? There are a lot of factors, some of the most important ones are; exposure, composition, the light, the location, the subject, your vision and your imagination. Did you notice there was no mention of equipment or software?

Brittany – France

September 26th, 2011
Gate and Staircase, Fort La Latte - Brittany France

Gate and Staircase, Fort La Latte

We just got back home after spending the past couple of weeks in France on a workshop with a terrific group of photographers.  There is no way that I will be processing most of the images from that trip for a while, I still have 10000’s from other trips,  but I just couldn’t resist processing a couple of the images from the Cap Frehel region of Brittany. These are of Fort La Latte, a 14th Century Castle, which is just incredible to think that this was built almost 200 years before North America was discovered!

Fort La Latte - Brittany, France

Fort La Latte - Brittany, France

NIK Color Efex Pro 4

September 8th, 2011

I just received an email from NIK Software pre announcing the release of the next version of Color Pro Efex.  I remember when I upgraded from version 2 to 3, I was blown away with the improvements then. Now looking at the New Features of version 4, I can’t wait to get it!!!!

You can pre-order it now, use coupon code GBLACK at checkout for a 15% off Discount.

Namibia

September 1st, 2011

Namibia is best know for it’s spectacular sand dunes, incredible variety and concentrations of wildlife and barren landscape. It is also home to over 2 million people.

Children playing on an abandoned car, Luderitz

Children playing on an abandoned car, Luderitz - Namibia

This photo was taken under less than ideal photographic conditions, the mid-day African sun! And shot on Velvia slide film.

 

Women in Swakopmund - Namibia

Women in Swakopmund - Namibia

This is a common sight in Namibia, women walk for great distances carrying and balancing all sorts of things on their head.

 

Namibian children carrying water, The Caprivi Strip - Namibia

Namibian children carrying water, The Caprivi Strip - Namibia

This last picture was more or less a grab shot as we were driving by, only after I saw the photo did I realize that the young girl on the left was pregnant.